Insight Media has released a new white paper titled: Motion Grading Comes of Age. It can be downloaded for free with a registration. Motion grading is a new concept developed by Pixelworks in cooperation with the content creation community. Called TrueCut® Motion Grading, this tool set allows post-production facilities the ability to create any desired motion […]
HFR is Not a Dirty Word – At Least it Shouldn’t be
High Frame Rate or HFR, especially in a cinema setting, evokes some pretty strong emotions in people from love to hate. This debate was stirred up again recently with the release of Gemini Man, a new Ang Lee film. The movie was shot in 4K 3D HDR at 120 frames per second as was his […]
A Visit to Trumbull Studios
Movie visionary, Doug Trumbull, has developed an advanced capture and display solution called Magi. It is based upon images captured and displayed in stereoscopic 3D, 4K and 120 frames per second. It is a solution that can be used in many areas, not just theaters, and he has been working hard to develop the concept […]
Creating Derivatives from the 4K/120/3D “Billy Lynn” Master
That was the topic of discussion I had with Ben Gervais, the technical supervisor on “Billy Lynn’s Long Halftime Walk”, a film directed by Ang Lee and captured in 3D, 120 frames per second and 4K resolution. But the film will only be shown in this format on a few select screens, so for more […]