The American Society of Cinematographers (ASC) set up an exhibition in their clubhouse in Hollywood on an afternoon that coincided with the SMPTE 2022 conference.
High Frame Rate or HFR, especially in a cinema setting, evokes some pretty strong emotions in people from love to hate. This debate was stirred
by Chris Chinnock, Insight Media The Consumer Technology Association (CTA) has been actively developing a new streaming standard called CMAF (Common Media Application Format). With
I have been thinking more about 8K recently. Many will agree that the increase from 4K to 8K pixels will be of marginal benefit for
As has been the case for several years, the SMPTE conference was held above the Dolby Theater in Hollywood California. There was a record turnout
SMPTE organized a webinar conducted by Lars Borg, a principle scientist at Adobe, but who was also very active in the development of SMPTE standard
A display’s performance is measured in a dark or dim room, but the display’s performance does not often account for the fact that it will
That was the topic of discussion I had with Ben Gervais, the technical supervisor on “Billy Lynn’s Long Halftime Walk”, a film directed by Ang
The term “CompCine stands for Computational Cinematography, a term SMPTE Director of Engineering and Standards, Howard Lukk used to describe a new category of image
One of the important topics covered at the SMPTE conference was conversion from one color gamut to another. This is particularly important when content is
That was the headline that enticed me to fly to Toronto and the annual Giant Screen Cinema Association International Conference and Trade Show (GSCA). This
Cinema technology is advancing rapidly including higher contrast, wider colors and higher frame rates (as seen in yesterday’s Display Daily – Ang Lee Shows the Future
The new UHD TV specification calls for an expanded color gamut called BT2020. But no current TVs can meet the specification because the red, green
